All John Constable Oil Paintings
       Prev  52  53  54  55  56  57
  Prev Artist       Next Artist     


John Constable Schleuse und Muhle in Dedham oil painting


Schleuse und Muhle in Dedham
Painting ID::  98479 		Artist: John Constable
Painting: Schleuse und Muhle in Dedham
Introduction: 1820 Medium oil on canvas Dimensions Deutsch: 53,7 x 76,2 cm
   
   
     

 

 

 
 

 

 

 
John Constable The Chain Pier, Brighton oil painting


The Chain Pier, Brighton
Painting ID::  98480 		Artist: John Constable
Painting: The Chain Pier, Brighton
Introduction: 1824-1827 Medium oil on canvas Dimensions 127 x 183 cm
   
   
     

 

 

 
 

 

 

 
John Constable Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London oil painting


Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London
Painting ID::  98481 		Artist: John Constable
Painting: Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London
Introduction: 1821 Source repro from art book
   
   
     

 

 

 
 

 

 

 
John Constable Flatford Mill or Scene on a Navigable River oil painting


Flatford Mill or Scene on a Navigable River
Painting ID::  98483 		Artist: John Constable
Painting: Flatford Mill or Scene on a Navigable River
Introduction: Dimensions 1331 mm x 162 mm x 1583 mm (52.4 in x 6.4 in x 62.3 in)
   
   
     

 

 

 
 

 

 

 
       Prev  52  53  54  55  56  57
Prev Artist       Next Artist     
     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Xavier De Cock | Axel Kulle | Constantin Lecca | Paul Frederick De Caselli | SWEERTS, Michiel |

 

 

 
CONTACT US
 Contact us!